by Megan Pinto


At home, we keep my father from the news.
The news addles his mind. Our doctor says
she tells all her patients to turn off
their screens, to consider knitting or meditation
instead. She has experienced the mind’s slow
pull toward oblivion.

My father fears economic collapse.
He would feel more comfortable if I
would only withdraw $200,000
in cash—just to have on hand.
I thought the end would need more
bright angels in chariots, a sudden bloom
of locust in the tap water,
but no. The light each morning
is the same. When I sleep, I sleep fitfully
each hour opening an eye to check
for the sun’s slow rise
over the neighbor's lawn.

Alone, I resume a documentary
about space. There is an urgent search
for another planet just like Earth.
It’s very possible, scientists say.
A PhD in Hawaii demonstrates centrifugal force
with her fire fan. On the International
Space Station, Astronauts see sixteen
sunsets and sunrises in one
human day. Imagine the abundance.
You could begin again.

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Megan Pinto's poems can be found or are forthcoming in Ploughshares, Lit Hub, Plume, and elsewhere. She has received scholarships and fellowships from Bread Loaf, Martha's Vineyard Institute of Creative Writing, the Port Townsend Writers' Conference, and an Amy Award from Poets & Writers. Megan holds an MFA in Poetry from Warren Wilson.

by Lisa Zimmerman


The sales pitch was to tell you
astronauts drank me in outer space.
It’s true. John Glenn and I did
have a fling on his 1962 Mercury flight
and that made me popular, for a little while.
Only because you thought NASA invented me.
But no, I was always just my sweet powdery self
until someone mixed me with water
and stirred me. John Glenn never

loved me. The way some men don’t
really love the women they drink up
and put back on a shelf afterwards.

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Lisa Zimmerman’s poetry collections include How the Garden Looks from Here (Violet Reed Haas Poetry Award winner), The Light at the Edge of Everything (Anhinga Press), and Sainted (Main Street Rag). Her poetry and fiction have appeared in Redbook, The Sun, Cave Wall, Hole in the Head Review, and other journals. Her poems have been nominated for Best of the Net, five times for the Pushcart Prize anthology, and included in the 2020 Best Small Fictions anthology.