SWWIM sustains and celebrates women poets by connecting creatives across generations and by curating a living archive of contemporary poetry, while solidifying Miami as a nexus for the literary arts.
Past Skokie lawns flat as cemeteries and airport buildings passing the sherbet colors of evening down Harms Road, past the College Prep Academy, a group of boys
hacks through June’s first greenery dreaming of the city on the other side, Lake Michigan’s icy cut, mafiosos trailing blue Fibonacci spirals of smoke
from speakeasies and casinos. They don’t know that other city, the ghost city beneath the lake, zoned within its loneliness like a boy on the last day
of his childhood, turning inward to a shore unknown to his father and brothers, the sheer blue panels of a Calder mobile. The lake is full of stories, voices
and stories, boys stripped naked to the waist and flayed by poison ivy, boys becoming trees, becoming air, the circus of clouds moving silently
across the Plains suffused with light from a distant star and floating back to earth, becoming the men who work the great belching factories of Detroit
and Kenosha, expressions forged in steel, who press the levers and pistons resounding in the vast cathedral of work, holiest of names unspoken, the evening clouds
piling one atop the other, concatenating like stories, twisting, funneling, each more intricate than the last, bone-delicate and pale, sifted from the throats
of boys who float chained to one another and the shore, a line of empty boats rocking end to end in the fathomless kingdom of night.
Taylor Altman is an attorney and writer based in Las Vegas, NV. She holds a BA from Stanford University, an MFA from Boston University, and a JD from the University of California, Berkeley, School of Law.
Taylor Altman is an attorney in San Francisco. She holds a BA from Stanford University, an MFA in creative writing from Boston University, and a JD from Berkeley Law School. Prior to law school, she worked at an educational non-profit organization and taught English at a community college. Her work, twice nominated for a Pushcart Prize, has appeared in journals such as Blackbird, Notre Dame Review, and Salamander. Her first collection of poems, Swimming Back, was published in 2008.