by Sarah Law

In the summer of 1844, novelist George Eliot went to London to have her head “cast” by the eminent phrenologist James Deville.

Twenty-two-and-a-quarter inches round:
a very large head. See the lift
of the jaw as it draws a line

from the white throat’s side.
This lady, average-height, is gifted
with moral weight. Here, the bold

curves at the cranial base
sweep elegantly to the crown.
My dear, excuse me. Raising her locks,

the temple is—ah—luminous and smooth.
A broad pause in the circuitry
where her wordflow is suspended;

each side a mold for the pad of my thumbs
to rest. What pleasant symmetry;
such dimples are fashioned to be touched.

Here, though, are resistant ridges,
imaginative nodes we might cite
as a novel development. Forgive me

if I ask: is she lonely? Does she cycle
between moodiness and joy?
There is a plain along the brow

where her spirit has retrenched.
We could call it a reversal; faith
translated back into empathy.

I thank you, Madam Evans. I will
present more work to the society
next month. Until then

I shall remember the heft
and swell of your skull,
the worlds within it, which

I am honored to glimpse,
by dint of my hands upon you—
the passionate snap of your book.

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Sarah Law lives in London and is a tutor for the Open University. Her latest collection, Therese: Poems is published by Paraclete Press. She edits the online journal Amethyst Review.