All in by Sandra Yannone

by Sandra Yannone



Years ago
now

I walked
among

the dying.
I was

already dead.
I was

a shroud
of skin

wrapped
around bones

no one
could touch.

This is
one version

of what
it means

to be
dead.

Around me,
often circling,

teetering
like metal

candelabra
angels,

were
too plenty

of the others
dying, who

in the moment
had outlived

me. Mostly
middle-aged

gay men
dying

into
their shadows.

We all walked
for miles,

for each other,
for liberation,

for purification,
for healing, for life.

The walks began
and ended

with swan boats
in the Boston

Public
Garden.

By the time
I crossed

the bridge
at the finish

line, under
a rainbow

of tethered
balloons,

more among me
were that many

steps closer
to death,

the air
exhausted

in their
lungs

labored
further

heaving,
sighing,

some pulsing
into oxygen

masks
while seated

in wheelchairs,
escorted

by lovers
and friends,

some who
would not

be
permitted

to witness
their beloved’s

final
grasps

for air
before

the lights
blew out

behind
their eyes.

But this day,
sunlight.

Every AIDS walk,
sunlight.

We would walk
into the sun

for miles
beaming

before
together

we
would burn

our skin
always

like flash
paper

ready
to combust.

______________________________________________________________________

Sandra Yannone’s debut collection, Boats for Women, was published by Salmon Poetry (Ennistymon, Ireland) in 2019. Salmon published The Glass Studio in February, 2024. Her poetry and book reviews have appeared in Ploughshares, Poetry Ireland Review, Lambda Literary Review, and numerous others. Since March, 2020, she has hosted the weekly reading series Cultivating Voices LIVE Poetry on Zoom via Facebook. Visit her at sandrayannone.com.

by Sandra Yannone

From the pages of all those Tiger Beat magazines
you purchased with your allowance, I became more
like sugar with each poster you pulled
from the centerfold’s staples. I never liked
that my crotch was always pinned to the crease,
that girls tugged at my sleeves, ripped off my clothes
and shredded what was left of me at my concerts.
I was hoping to be a firefly that feasted
on night flowers, leaving my scent behind
with my original songs, the ones no one heard
over the din of those pop hits that ABC’s money moguls
shoveled into my mouth. During boxed lunches
on the set, I had to sign thousands of postcards
to girls I’d never meet. I was drowning, Sandy,
in the fountain of teen idol fame, and I didn’t know
how to swim. Who does in that kind
of water? So I vanished into those cheap
newsprint pages of 16 magazine. I became a paper
ghost and only the drugs and sex told me
that I was alive. What can I say? Why am I risking this
from the great beyond to share with you? I think
you know better than the lyrics to “I Think I Love You.”
Every poem is a spotlight that shines the light
back into your eyes. You need to keep them open
to honest desires. Don’t get caught underneath
the undertow of the trap door’s weight. Come on,
you know how to escape, to get happy. You almost do it
every day, except you act like it’s your shadow side.
You never let yourself fully embrace the miracle of you.
I sang all those songs on those albums that I know
you still sing, when you are alone or driving with your sister
in her van. I know you gave a private concert to Tara Hardy
in your living room, that you have two microphones
at the ready to practice when you feel inspired by my lips
open to songs you wore down the needles
on your record player to hear over and over again.
I wasn’t ready for everything that came next
after the gold records and the show’s opening credits
dressed in mod. I should have shaken off that Partridge
Family tree sooner, but this isn’t my ending;
this is your beginning. So come on, stay happy, swallow
my songs, my prayers for that girl long ago
who loved me as no one could. Retire all those faded
fan magazines; you know you are happier
when you are locked inside the glass house
where you’ve been waiting your whole life to sing.

________________________________________________________________


Sandra Yannone published her debut collection, Boats for Women, in 2019 and will publish The Glass Studio in 2022 with Salmon Poetry. Her poems and reviews have appeared in print and online journals including Sweet, Ploughshares, Poetry Ireland Review, Prairie Schooner, Impossible Archetype, The Blue Nib, Live Encounters, Women’s Review of Books, and Lambda Literary Review. She currently hosts Cultivating Voices LIVE Poetry on Facebook via Zoom on Sundays. Visit her at www.sandrayannone.com.