All in by Maryann Corbett

by Maryann Corbett


It's #tbt! Enjoy this great one from SWWIM Every Day's archives!

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The clear amber scent in its bottle. Its glint from the top of the vanity:
cut-crystal flutes with a frosted-glass stopper, catching the sun, on her vanity.

The glamorous dreams of our mother, unspoken to curious children,
were sharp as the quarter-moon curve of that bottle enshrined on the vanity.

What were they guarding, what secrets? And how would a child understand them?
And what was I thinking, small magpie lured on by the glitter of vanity?

Wreckage of beauties: the spill. The wet, the gray film on the rosewood.
I was the firstborn, the first to drive thorns through the heart of her vanity.

Painfully, mothers forgive. (On the mountain with seven stories,
how long will the granite of penitence weigh on the spine of my vanity?)

(And what do my children remember? what hauntings by anger and tears
does my memory hide from itself in the metal-bound chest of my vanity?)

Sixty years on, and the stain-mottled dresser now broods in my bedroom,
breathing regret, and my name, and the words of the Preacher: Vanity!

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Maryann Corbett is the author of six books of poems. Her poems, essays, and translations have appeared in journals on both sides of the Atlantic: in The Dark Horse, PN Review, and the New Statesman in the UK, and in Beloit Poetry Journal, Ecotone, Image, Literary Imagination, the Los Angeles Review of Books, Rattle, and others in the US. Her poems are included in anthologies like Best American Poetry and Contemporary Catholic Poetry (Paraclete, 2024), and have been featured on Poetry Daily and American Life in Poetry. She is a past winner of the Richard Wilbur Award and the Willis Barnstone Translation Prize. New work is forthcoming in Raritan and J Journal, among others. Her most recent book—which includes the poem “Ghazal for a Bottle of Shalimar, 1956”—is The O in the Air (Franciscan University Press, 2023).

by Maryann Corbett


A sonnenizio for the pandemic year

It is a beauteous evening, calm and free
in the land of the free, and we the beautiful people
are exercising freedom. Toned and tanned
in our athleisure wear, how free we are,
freed by the wonders of delivery service
and grocery shoppers, buy-one-get-one-free
our vespers hymn. Oh, how serenely free
we seem, free-sweating, heart rates pumped and primed,
each trainered foot aiming its freeform way
well clear of any dangerous free breathing.
Like birds, like air, so free, the way we sidestep
that free-range threat that waves its sign on the corner:
barefaced rogue actor, mask-free anarchy,
roaring as we thud past, You think you’re free?

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Maryann Corbett is the author of five books of poetry, most recently In Code from Able Muse Press. Her work has won the Richard Wilbur Book Award and the Willis Barnstone Translation Prize and has been published in venues like Southwest Review, Barrow Street, Rattle, River Styx, Atlanta Review, The Evansville Review, Measure, Literary Imagination, The Dark Horse, Subtropics, Poetry Daily, Verse Daily, American Life in Poetry, The Poetry Foundation, and The Writer's Almanac, and in an assortment of anthologies including The Best American Poetry 2018.

by Maryann Corbett

The clear amber scent in its bottle. Its glint from the top of the vanity:

cut-crystal flutes with a frosted-glass stopper, catching the sun, on her vanity.

 

The glamorous dreams of our mother, unspoken to curious children,

were sharp as the quarter-moon curve of that bottle enshrined on the vanity.

 

What were they guarding, what secrets? And how would a child understand them?

And what was I thinking, small magpie lured on by the glitter of vanity?

 

Wreckage of beauties: the spill. The wet, the gray film on the rosewood.

I was the firstborn, the first to drive thorns through the heart of her vanity.

 

Painfully, mothers forgive. (On the mountain with seven stories,

how long will the granite of penitence weigh on the spine of my vanity?)

 

(And what do my children remember? what hauntings by anger and tears

does my memory hide from itself in the metal-bound chest of my vanity?)

 

Sixty years on, and the stain-mottled dresser now broods in my bedroom,

breathing regret, and my name, and the words of the Preacher: Vanity!

____________________________________________________________________________________________________

Maryann Corbett is the author of four books of poetry. Her work has won the Richard Wilbur Book Award and the Willis Barnstone Translation Prize and has been published in venues like Southwest Review, Barrow Street, Rattle, River Styx, Atlanta Review, The Evansville Review, Measure, Literary Imagination, The Dark Horse, Subtropics, Poetry Daily, Verse Daily, American Life in Poetry, The Poetry Foundation, and The Writer's Almanac, and in an assortment of anthologies including The Best American Poetry 2018.