SWWIM sustains and celebrates women poets by connecting creatives across generations and by curating a living archive of contemporary poetry, while solidifying Miami as a nexus for the literary arts.
There is as much of a chance that the world will end today as there ever has been and god knows that Shiva's wheel of destruction is spinning full bore right now.
But that doesn't stop the six ladies at the next table from holding their two-hour knitting circle this morning at this cafe, rain or shine.
All threats and possible endings and Armageddon aside, they actually called in to book the largest table in the coffee house in advance.
This is the bravest act I am aware of today. They have their steady gig, their weekly commitment to attendance.
This is how to give zero fucks. Readers sliding down the bridges of each nose. The occasional smart-ass crack, the furious clack of needles, the skeins of brightly dyed wool.
When one falls and rolls across the floor, another calmly leans down to pick up.
Amy Baskin's work is currently featured in Bear Review, River Heron Review, and is forthcoming in Pirene's Fountain. She is a 2019 Pushcart Prize and Best of the Net nominee, a 2019 Oregon Literary Arts Fellow, and a 2019 Oregon Poetry Association prize winner. When not writing, she matches international students at Lewis & Clark College with local resident volunteers to help them feel welcome and connected with the greater community.