SWWIM sustains and celebrates women poets by connecting creatives across generations and by curating a living archive of contemporary poetry, while solidifying Miami as a nexus for the literary arts.

After the Greeks Tippy-toed out of a Horse

It's #tbt! Enjoy this great one from SWWIM Every Day's archives!


Arms, and the man…
Virgil

Christ almighty was that a year.
The damn war FINALLY over
though one many-faced hero heroed-on
ten more to slay a weaver’s suitors lined-up
and slicked-back on Ithaca Ave.

THAT year, warriors de-warriorized, or tried to.
Mothers had died fathers had died wives
husbands aunts uncles sisters brothers had died.

But not one golden-guy,
with eyes a glinty glint
and sweaty sweat on biceps bulging.

Sailing sea-y seas Aeneas ashored on land
of a lady founder
who took one gandy gander and
plunged into bicepboy’s eyes—not deep pools—

and after the jumping-off-joy—
no small joy we agree—was deady dead,
having lit sticks and self and such when
loverboy sailed again. Soon,
the city-on-a-boot he birthed,

Rome, all Latinated and lawyered up,
warriorized and empired, though,
we admit, the engineering was good.

Those aqueducts and bridges, those walls.
They were something else.



Sarah Sarai is a birthright New Yorker and skintight Californian. Her most recent collection, Bright-Eyed (Poets Wear Prada), is a sort-of account of her family’s westward motion.

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