SWWIM sustains and celebrates women poets by connecting creatives across generations and by curating a living archive of contemporary poetry, while solidifying Miami as a nexus for the literary arts.

My Adaptive Adolescent Wants My Wise Adult to Know There’s Nothing Like Roe v. Wade Being Overturned, or a Prison Threat

to put things in perspective, as they say,
the they who always has some shit to bray

about. I march streets like I’m not playing
Female A who cares not how many men

watch her walk, the way, as her mother
claimed, she shakes her ass, cutting her

cunt through his world & his. But really,
count how many fucks I give on this

solstice surrounded by flowering
plants on a planet choked with trash

as I X-out another article about litter
we left on Mars. Extending our reach

it seems, or just how far I’ll go to ignore
what I came here to say. My yuccas puff

like wedding dress sleeves, which seems so
lovely I hardly recognize me in the filthy

window of my parked car, which I wash
now just to drive all day to see my son shrink

behind a table in front of the woman balanced
in front of a much higher bench because she is

gavel, she is judge, she is the human who will
decide his life—that’s only just begun—

might be over before this summer is.
How dare I dream of love blooming now.


Lisa Fay Coutley is the author of HOST (Wisconsin Poetry Series, 2024), tether (Black Lawrence, 2020), Errata (2015), winner of the Crab Orchard Series in Poetry Open Competition, In the Carnival of Breathing (BLP, 2011), winner of the Black River Chapbook Competition, and Small Girl (Harbor Editions, 2024). She is editor of In the Tempered Dark (BLP, 2024). She’s an NEA recipient and Associate Professor in the Writer’s Workshop at the University of Nebraska Omaha.

Backyard Fable

My Deaf Ear Hears Another Set of Lessons