SWWIM sustains and celebrates women poets by connecting creatives across generations and by curating a living archive of contemporary poetry, while solidifying Miami as a nexus for the literary arts.

Harbinger

What does it mean that I’ve been dreaming
about sunlight moving through old houses

again? Vine-shadow on wood floors, endless
rooms, the sound of wingbeats without birds.

Pittsburgh wisdom says you need a week in Florida
when you can’t get out of bed. I up or down

my dose of antidepressants when the clocks change.
In the dreams, I wear a white dress, dust dragged

along its hem. The houses are dis-inhabited
but I know I’ve lived in some version of them.

In real life I try to leave the past empty, open;
a good mother haunts her life only in forward motion.

When the nerves at my right hip shriek down my leg,
I know it means my body needs to stretch.

I should exercise, drink more water, rest—
but I get through winter reading Gothic horror;

I trust myself with only so much selfishness.
In this city, potholes become a sign of character

as much as of neglect. I remind my children all is still well
when the bridges sway. In traffic, we count turkey vultures

circling in the steel gray and call it soaring.



Violeta Garcia-Mendoza is a Spanish-American poet, teacher, and suburban wildlife photographer. Her poetry has appeared in numerous literary journals, and in 2022, she received a grant from the Sustainable Arts Foundation. She is a member of the Madwomen in the Attic Writing Workshops at Carlow University. Violeta lives with her husband, teenage children, and pack of rescue dogs on a small certified wildlife habitat in western Pennsylvania. Songs for the Land-Bound is her debut collection.

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