SWWIM sustains and celebrates women poets by connecting creatives across generations and by curating a living archive of contemporary poetry, while solidifying Miami as a nexus for the literary arts.

Believe Your Hands When They Bleed

Louise Hay, the late metaphysical teacher, described eczema as
breath-taking antagonism, mental eruptions.



The only other part of my body that used to bleed
with regularity is my hands. Every February, the skin
around my knuckles would crisp
and I would line up my tonics. The Houston humidity
and my mother watched in disbelief.

Thirty years later, estranged
from both, I rubbed a new solution into my palms
as my husband cleared his throat
in the other room, turned off the light, then asked me
to come find his wallet. I squinted, strained, spun—until

I fell. My hands buckled against the hardwoods, then
flattened, steadying my torso. I pushed
my feet and palms into the roots of my house until I was bent
in two, then I rolled through my spine so slowly
I was barely moving. Once vertical, I walked toward

the front door, turned on the porch light, and left—
my fingers leaving a trail of aloe on the steps.



Stefanie Leigh is a poet and ballet dancer based in Toronto. She holds a BA from Columbia University and was a dancer with American Ballet Theatre. Her work has been published in Rust & Moth, Syncopation Literary Journal, and elsewhere. She is working on her first poetry collection, Swan Arms.

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