SWWIM sustains and celebrates women poets by connecting creatives across generations and by curating a living archive of contemporary poetry, while solidifying Miami as a nexus for the literary arts.

After Pawning the Engagement Ring

It's #tbt! Enjoy this great one from SWWIM Every Day's archives!


I go to the museum and sit before Robert Motherwell’s
Elegy to the Spanish Republic with three black holes in my head.
One for the way I hated the poet when he called me stupid.
Another black hole because I felt like a child, carsick
and chicken. I don’t care what day it is, he said on my birthday.
Was he an aperture, opening inside me?
Or was he a bullet I must dodge for the rest of my life.
At the Cash America Pawn, I waited in line, the ring box
white as ivory, a severed tusk singeing a hole through my hand.

One more black hole, there, in the middle. The question
I asked in my head for a year: How can he think
he owns other people? Him, in the dark, calling my body
his. My breasts, my hair, my hips. I shout leave
into Motherwell’s circles. I know I can’t help it, the ring
in its strange case, cold as a head with no body.


Jenny Molberg is the author of Marvels of the Invisible (winner of the Berkshire Prize, Tupelo Press, 2017), Refusal (LSU Press, 2020), and The Court of No Record (LSU Press, 2023). Her poems and essays have recently appeared or are forthcoming in Ploughshares, The Cincinnati Review, VIDA, The Missouri Review, The Rumpus, The Adroit Journal, Oprah Quarterly, and other publications. She has received fellowships and scholarships from the National Endowment for the Arts, VCCA, the Sewanee Writers Conference, Vermont Studio Center, and the Longleaf Writers Conference. She is Associate Professor and Chair of Creative Writing at the University of Central Missouri, where she edits Pleiades: Literature in Context. Find her online at jennymolberg.com.

Late Renoir

a rapid eye movement