SWWIM sustains and celebrates women poets by connecting creatives across generations and by curating a living archive of contemporary poetry, while solidifying Miami as a nexus for the literary arts.

Syllabus

Goldenrod, brambles. The yellow and black
spider zipping shut its web. We pass:
birches, maples, oaks. What have we taught
our son this sunny summer? Not to mind
the narrow bloody trace left on your shin
that wins you the blackberry. The French word
for orange, which is orange. Monarchs eat
only milkweed, and are named for kings.
Sometimes the king is bad, or mad, a word
which can mean angry, or that something’s wrong
in someone’s mind. Your mother likes to see
you kiss your sister, and your mother scares
you sometimes, when you won’t get into bed.
Pokeweed, tansy, Chinese lantern flower,
the poisonous profusion of the hill.
Pick it, don’t touch it, this one, yes, no, yes.
The great book of injunctions: we can start
to pick out, word by word, instructions for
our lives, which, as we live, we learn to read.
That purple flower like a magic wand?
I’m sorry—no, I’ve never learned its name.



Rachel Trousdale is a professor of English at Framingham State University. Her poems have appeared in the Yale Review, The Nation, Diagram, and a chapbook, Antiphonal Fugue for Marx Brothers, Elephant, and Slide Trombone. Her book Five-Paragraph Essay on the Body-Mind Problem won Wesleyan University Press's Cardinal Poetry Prize and will be published in 2025. See racheltrousdale.com and @rvtrousdale.

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