— after watching Man on Wire
Like an acrobat in the spotlight
of a darkened circus ring,
or like Baryshnikov
at thirty, easy in his skin,
one graceful hand soft
on the barre—close up, black
silks billowing in the misted wind,
he’s slender & erect, smiles
as he struts the shivering cable
a quarter mile above the city.
But from below, he seems more
human, a fragile speck
against the stark immensities
of sky & doomed
towers. One step, one moment’s lapse,
as he’ll explain, above death.
Is this why he grins, why he lies
down along the braided wires,
one leg dangling over
the abyss? See how he kneels—
kneels!—and looks down
at the wondering crowd. How can
we help but love him? Even
a transit cop who hasn’t missed
much sounds awed: He was dancing.
You couldn’t call it walking. Even the lover
he’s about to betray still trembles,
decades later, remembering.