SWWIM sustains and celebrates women poets by connecting creatives across generations and by curating a living archive of contemporary poetry, while solidifying Miami as a nexus for the literary arts.

 

It's #tbt! Enjoy this great one from SWWIM Every Day's archives!


Mine died when I hit middle age, he still young
at sixty-eight. I’ll never say we’re through.

He is that creature under the cold Atlantic blanket,
migratory mammal, singing a complex song,

large heart beating in time with mine, wide cetacean
smile, throat pleats, fluke, and fin. All that potential

lamplight and winter warmth stored in his immortal bulk.
No harvested baleen, no corset bone. He’ll never stop

his route, though sometimes he needs to breach,
and once I dreamed he beached. I tried to drag him back

to the surf, where the salt could lick his wounds
and he could open one eye to the sun.

But that was a nightmare. The truth is in the Gulf
Stream, dark shadow spouting, swimming with seals.


Rebecca Hart Olander’s poetry has appeared recently in Hayden’s Ferry Review, Jet Fuel Review, The Massachusetts Review, and elsewhere, and her collaborative visual and written work has been published in multiple venues online and in They Said: A Multi-Genre Anthology of Contemporary Collaborative Writing (Black Lawrence Press, 2018). Her books include a chapbook, Dressing the Wounds (dancing girl press, 2019), and her debut full-length collection, Uncertain Acrobats (CavanKerry Press, 2021). She teaches writing at Westfield State University and Amherst College and works with poets in the Maslow Family Graduate Program in Creative Writing at Wilkes University. She is the editor/director of Perugia Press. Find her online at rebeccahartolander.com or @rholanderpoet.

 

Eveningside

Queen of the Night