SWWIM sustains and celebrates women poets by connecting creatives across generations and by curating a living archive of contemporary poetry, while solidifying Miami as a nexus for the literary arts.

Contemplating Munch’s Angst Woodcut as Another War Breaks Out

They flee, half-obliterated
faces frozen flat to paper.

Behind them, a river careens.
Mountains slice sky lit by a siege

of flailing stars, scissored strips
of cloud, no cover.

They might be anyone, these haggard
travelers, a people marked, caught,

carved by a master, his plywood
blocks, inked, pressed, reproducible,

expulsion destined to occur
over and over though never

the same way twice—undulant wood grain,
colors, frenzy of dash, strength,

and the eyes, the myriad eyes
staring straight at you from the depths

of the dead page, waiting, waiting
for you to tire, to turn away.


Mary Beth Hines lives and writes from her home in Massachusetts. Her work appears in Cider Press Review, SWWIM Every Day, Tar River Poetry, Valparaiso Poetry Review, and elsewhere. Kelsay Books published her debut collection, Winter at a Summer House, in 2021. See marybethhines.com.

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