SWWIM sustains and celebrates women poets by connecting creatives across generations and by curating a living archive of contemporary poetry, while solidifying Miami as a nexus for the literary arts.

To the Person Who Marked Up This Book of Poetry

It's #tbt! Enjoy this great one from SWWIM Every Day's archives!


I had forgotten about you
until this morning at Denny’s
when I didn’t have enough quarters
for a newspaper and pulled,
instead, this book from my purse,
laid in for such emergencies.

And there you were,
asserting your opinions in black ballpoint,
two stars next to the titles
you obviously liked,
crossed-out lines
you seemed to think superfluous—
scratched-off Wasatch,
penned-in mountains.

And then the waitress frowned
when I told her no hashbrowns.
She asked again—no potatoes?
No grits?—as if to correct
this error in the book
of my morning. She scrawled a note
in her own book, lips tight.

But she brought me the eggs
and you finally left the poet alone
as he went on to talk
of farmers, as his horse changed leads
on command, and sometimes not.
And it’s hard to tell
whether you simply tired
of the old, old game—
this singular shaping, this lonely work
for the betterment of us all—
or whether the poet won you over,
maybe with those lines on page 40
about chickens and the little
swaybacked shed he can’t
bring himself to knock down,
beautiful it its disrepair.


Amy Miller’s Astronauts won the 2022 Chad Walsh Chapbook Prize from Beloit Poetry Journal, and her full-length book, The Trouble with New England Girls, won the 2017 Louis Award from Concrete Wolf Press. Her poems have appeared in Barrow Street, Copper Nickel, Narrative, RHINO, Terrain, Tupelo Quarterly, and ZYZZYVA. She received a 2021 Oregon Literary Fellowship and blogs at writers-island.blogspot.com.

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