SWWIM sustains and celebrates women poets by connecting creatives across generations and by curating a living archive of contemporary poetry, while solidifying Miami as a nexus for the literary arts.

The How and the Why

But mostly I think about love.
I think about you. I think about time
as the ocean and our stories as boats
made of paper. The fragility of our stories,
the unlikeliness of love, and the tomboy
certainty of a childhood in Arkansas
where I swallowed back down my fear
and felt things secretly, then not at all.
I think about the ocean, the engineering
within ocean waves. I feel the technicality
of my body as a part of the waves, the pull
and suck of the tides. The moon as a kind
of kindness masterminding the landscape.
I feel Kaddish, the Hebrew prayer providing
rhythm for just how the living will remember
the dead. I swear on my own skeleton that
I can see the hidden architecture inside living
things in the natural world. I remember darkness.
I remember my mother, the way she held her jaw
like stone and maintained that rigid grip
even as she was dying. I think about her.
I think about you. And my words as bricks
that sink deeper and deeper, as bricks dreaming
their way back into the earth.


Robin Reagler is the author of Into The The (Backlash, 2020), winner of the UK’s Best Book Award; Teeth & Teeth (Headmistress, 2018), winner of the Charlotte Mew Prize, selected by Natalie Diaz; Dear Red Airplane (Seven Kitchens, 2011, 2018) winner of the Rebound Prize; and Night Is This Anyway (Lily Poetry Books, 2022). For 22 years she led Writers in the Schools (WITS). She is a queer poet living in Texas.

Tazzelenghe

this body