SWWIM sustains and celebrates women poets by connecting creatives across generations and by curating a living archive of contemporary poetry, while solidifying Miami as a nexus for the literary arts.

Thornbacks

When a woman from my sober group
confessed to me that she felt invisible,
I did and didn’t feel that—the tension of
aging out of the civil hold society still has
on its women. The burning question is not,
should I drink, but how do I stay relevant
as my body changes, without having given
birth or given away my name and even still,
to be known is the ultimate disobedience—sitting
with my two breasts out, carving space in the
remembered world. I wanted more for my own
mother, even if that meant not having given
birth to me. That’s what I think of when I see
a particular wedding image of her pitched on
a small green hill, carving space against a stark
blue sky, her veil caught in the wind as if to
say it knew something none of us did.


Jocelyn Ulevicus is an artist and writer with work forthcoming or published in magazines such as The Free State Review, The Petigru Review, Blue Mesa Review, No Contact Mag, Blue Bottle Journal, The Santa Ana Review, Humana Obscura, Dewdrop, and elsewhere. Working from a female speculative perspective, themes of nature and the unseen; and exit and entry are dominantly present in her work. She resides in Amsterdam and is currently working on her first book of poems. You can contact her on Instagram at @jocelyn.ulevicus or via her website: jocelynulevicus.com.

Road to Labelle, FLA

Deconstruct / Reconstruct