SWWIM sustains and celebrates women poets by connecting creatives across generations and by curating a living archive of contemporary poetry, while solidifying Miami as a nexus for the literary arts.

Tableau with Bloodeaters and Baby Birds

 

An ornithologist found a Canada jay nest with three newborn birds and three blood-swollen ticks inside.
The ticks were enormous, too big for the hatchlings to eat.                    Two of the ticks were dead,

but all three were described as very warm.                                   They’d probably gorged on moose blood
before being plucked from the ground or some bitten flank           and heated against the now-absent

mother’s body.                          At intervals the hatchlings keened, sharp and soft.            All throat
and eye they were, papered over              in skin like a human’s.                The ornithologist guessed that
the mother had left the ticks as hot water bottles                 to cozy the nest while she was out

foraging. Impossible to say. Impossible to see                  the magic show between the synapses of a bird

or any other sentient being. Only to deploy          best guesses. And the imagination,          its dark paints.

The tableau:                  a crime scene                 or a modernist play.       Like cooling radiators,
the ticks clanked faintly             as they powered down.              The tableau, again:

loose bits of creation God           had emptied from his pockets.


Sheila Dong is a nonbinary Chinese-American writer based in the desert. A 2021 Best of the Net nominee and alum of Oregon State University’s MFA program, they have had work appear in Radar, SOFTBLOW, Menacing Hedge, Heavy Feather Review, and other places. Their chapbook Moon Crumbs debuted with Bottlecap Press in 2019. Read more at sheiladong.carrd.co

 

What I Meant to Say

Last Harvest