SWWIM sustains and celebrates women poets by connecting creatives across generations and by curating a living archive of contemporary poetry, while solidifying Miami as a nexus for the literary arts.

Late Anthropocene Shechecheyanu

Spring stutters, as it has
these last late years of ruin,
the sentence we are yearning for
coiled under its tongue.

A dog wanders the valley, ignoring
its girl’s call. Another storm
worries its skirts along the seaboard.
You’ll take back

these blossoms, a promise
reneged, its words
hedged and qualified until it’s still
snowing. Toward the end

of pregnancy, I walked six miles
a day, talking on the phone
or listening to the city’s buzzing
fear. As always, I

was racing: I walked to show
I could outpace my body,
that it wouldn’t
bury me. Each step

an argument against your coming
and a beckoning, the comma
a hand makes to say
go on. I walked

in thaw past the closed entrance
to the interstate, past a woman

who said her daughter

never took a step after the first

trimester, past a homeless man
who muttered happy mother’s day,
and, when I didn’t answer,
I presume. The wishes

of the wrung-out world alit
upon my body, as if I were
an altar, as if I were the goat
released into the wilderness.

When the pains began I arched
my body to allow them
an instrument: strings
well-tempered, rubbed

with amber. Trees’ colored applause
outside the hospital window
let us know real spring
had come at last, despite

the air’s embrace. But already
we were in thrall to no other
season, subject to
the revolution

of no other sphere. We lived
from then on
out of time—
each day in our mouths.


Leah Falk is the author of To Look After and Use (Finishing Line Press, 2019) and her work has appeared in The Kenyon Review, FIELD, Electric Literature, Verse Daily, and elsewhere. Her writing has received support from the Vermont Studio Center, Yiddish Book Center, Sundress Academy for the Arts, and Asylum Arts.

Lemon Silence

St. Suzy Waud of the WXGT