SWWIM sustains and celebrates women poets by connecting creatives across generations and by curating a living archive of contemporary poetry, while solidifying Miami as a nexus for the literary arts.

Don't Wash

I’m returning in three days. Don’t wash.”
—From a love letter Napoleon sent to Josephine

  

I touch myself so I can savvy what you rut in. Bring my fingers to my mouth, imagine you in our bed, returned from the three-day fray, redolent of the weight of the world, and me, your dirty, dirty girl, naked, eager, as you make your way down, breathing in my hair, my lips, the sweet spot where neck meets collarbone. I’ve made a religion of your fantasies, a science of what you desire. That ferine moan, my always startled gasp at first thrust. I angle, cocked hips, a bit askew, arched for maximum penetration. Our bed is a rocket launch, a bacchanal, a pelican’s steep dive into the sea. For Michael, my first love, I used the freshening wipe before I arrived, so as not to offend. I spread myself wide on his bed, confident, watching the top of his head (black curls) as he explored me — that fear of not being Summer’s Eve™ fresh, worried my pussy might disenchant, the musk of me — all wiped away. He raised his head. Next time, Michael said, don’t wash.


Alexis Rhone Fancher is published in Best American Poetry, Rattle, Hobart, Verse Daily, Plume, Cleaver, Diode, SWWIM, Poetry East, Pedestal Magazine, and elsewhere. She’s authored five poetry collections, most recently, Junkie Wife (Moon Tide Press, 2018), and The Dead Kid Poems (KYSO Flash Press, 2019). Her sixth collection, EROTIC: New & Selected, publishes in 2020 from New York Quarterly. A multiple Pushcart Prize and Best of the Net nominee, Alexis is poetry editor of Cultural Weekly. See more at www.alexisrhonefancher.com.

Borrowed Glamour

The history of sea legs