SWWIM sustains and celebrates women poets by connecting creatives across generations and by curating a living archive of contemporary poetry, while solidifying Miami as a nexus for the literary arts.

Getting Ready for a Grandchild’s Visit

You disappear up pull-down stairs
into cluttered gloom to search
for our mothballed cache of Halloween.

I pace below, wait for you to tender 
taped up boxes, bins, bags bulging 
with who knows what imagined treasures.

Nothing’s marked. For years we’ve stashed
kids’ report cards, trophies, dolls, 
my mother’s hats, your great-grand’s swords.

One-by-one, you push, I pull, as our hunt-
and-retrieve job blossoms into cleanout. 
We’ll tackle it now while we’re still able.

On our front steps I tear a carton open—
a jumble of frayed toe shoes, tutus, ribbons.
From inside the bin’s dank innards, silverfish 

rush and reel in cold light, dart beneath
the porch, gone before I smash them, but more
come flash dashing from a bag of magazines.

Their teardrop bodies skitter, stippled pearl, 
tick-tap to vanish, while we shake discarded 
exoskeletons out from ancient book leaves.

Finally you find our Dollar Tree straw-strapped
scarecrows, witches, ghosts —all wrecked
but for a plastic pumpkin and one skeleton mask. 

Side-by-side, on the steps, we decide we’ll toss 
it all except for the one bin of fairy tales 
we’d sealed up tight, the pumpkin, and the skull.



Mary Beth Hines’s poetry and short fiction and non-fiction appear, or will soon appear, in journals such as Brilliant Flash Fiction, Crab Orchard Review, Gyroscope Review, Halfway Down the Stairs, Literary Mama, Naugatuck River Review, and Rockvale Review among many others. Following a long career as a project manager, she writes from her home in Massachusetts and is working on her first poetry collection.

Ajai Alai

Ring Sing