SWWIM sustains and celebrates women poets by connecting creatives across generations and by curating a living archive of contemporary poetry, while solidifying Miami as a nexus for the literary arts.

At The Party, The Famous Poet Goes Too Far With The Latest Sweet Young Thang

Baby, you were a tiger last night,
the famous poet growls,
paws at my breast like an apology.

He knows I like it rough.

I know his penchant for variety,
his lust’s juvenescence.

I saw his arm
slip around her flirtation,
saw him meet her platinum gaze,

maneuver her out on the deck,
grope her like he once groped me.

When we make our make-up love,
I picture impossibly young women,
lined up, his for the taking,

and I hear my time running out,
that desperate, loudening thrum.

I’m his blond, his punch-drunk muse.
He knows I’ll go down swinging.


Alexis Rhone Fancher is published in Best American Poetry, The American Journal of Poetry, Rattle, Hobart, Verse Daily, Plume, Tinderbox, Cleaver, Diode, SWWIM Every Day, The MacGuffin, Nasty Women Poets, Nashville Review, Rust + Moth, and elsewhere. Her books include: How I Lost My Virginity to Michael Cohen…, State of Grace: The Joshua Elegies, Enter Here, Junkie Wife, and The Dead Kid Poems. Her photographs are published worldwide. A multiple Pushcart Prize nominee, Alexis is poetry editor of Cultural Weekly. Please see more at www.alexisrhonefancher.com.

Eyeing the Kate Spade "Heart It Sam" Crossbody

Swarming