SWWIM sustains and celebrates women poets by connecting creatives across generations and by curating a living archive of contemporary poetry, while solidifying Miami as a nexus for the literary arts.

Modern Degas

A knee joint, a bent elbow,
a spangled skirt—ballerinas passé
towards the floor, shoulders gleam
with the minutiae of anatomy;
elegant as ever you sketched—

dancers in the dim light of a dressing room,
skin like cream and caramel, hollow
against spine, like horses paused
before the Kentucky Derby, prize stallions
of the Bolshoi Ballet. 

No wonder you loved them all, Edgar—
muscles, feathered skirts and plumed
tails, the heave of chests, mist
and paw, the rise and fall of music,
gunshot, the hee-yaw! of a jockey—

you would have loved Messi too,
instep kick like a dancer on the soccer field,
rising a relevé to the rhythm of his fans;
hearts stopped, tableau, the body
of work you left behind, ballerina and horse,

brush and charcoal, form and flesh,
Raymondo, Ronaldo, the sweat and swell
of delusions, dreams, a revelation
of what our bodies, our hands
might have been—


Adina Kopinsky is an emerging poet balancing poetry, motherhood, and reflective living. Now living in Israel, she is originally from Los Angeles and has a degree in English Literature from California State University, Northridge. She has work published or forthcoming in Carbon Culture Review, Flyway: Journal of Writing and Environment, and Peacock Journal, among other publications.

There, Now That's Better

Two Daughters