SWWIM sustains and celebrates women poets by connecting creatives across generations and by curating a living archive of contemporary poetry, while solidifying Miami as a nexus for the literary arts.

All the Hungry Falcons

Appetite makes them keen

when they scan the tunneled field

for shivers in the dead grass.

Their vision sharpens, pupils dilate.

From a mile away, they see

their feed, and they take it.

All my life, I’ve stowed my stories

like a box of banned books

under the bed. Each one, unforgiven,

an arc of trouble and want.

They quicken my hunger

for what I’ll never have

or never have again—

a mother mainly, certain men,

but a sister and brother too, a city

I walked in with hot paper cups,

my lips foamed with cappuccino

as it rained and rained.

Oh, the world feels tidal

when I get like this, when l can’t stop

hunting for something intimate and filling.

I see it lift from the soil.

The sun, a muzzle flash,

turning the meadow bright, burning

off the haze. I soar in, see it magnified,

everything itself only more so.


Dion O’Reilly has spent  much of her life on a farm in the Santa Cruz Mountains. Her poetry appears or is forthcoming in Sugar House Review, Rattle, The Sun, Canary Magazine, Spillway, Bellingham Review, Atlanta Review and a many other journals and anthologies, including a Lambda Anthology. Her work has been nominated for Pushcarts and a variety of prizes and contests.

Living Room

Bird