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To the boys who bully my nephew in the 6th grade

Here. Take this apple, small and sweet
like the middle of his heart when he was
born, a heart that was not certain how to
beat. Small sack of veins and rice paper-thin
skin, he looked like an old man with wide
grey eyes and wrinkled newborn bamboo
fingers. Oh, he was a sack of joy then, like
apples in the middle of a pie. Don’t get me
wrong, he is now so annoying like the wild
woodpecker that throws his head into
a tree, all day all day all day, a mad mad bird
who beats the same beat with the same
charcoal beak and what you want to say
is, ya, ya, enough hijo, no more banging.

Yes, I know this language of eye rolling.
This wish to stop the sounds from his mouth,
hold his body down, force his mind,
his thoughts, his lanky self to stop, to stop
to be still. Basta, you want to say. No mas.
I know. I have done it. I know this wish.
The wish to freeze time when he throws
his whole body into my arms, like a wilding
thing that cannot feel anger or fear, a boy
who wants to share his blood and the mess
of his mind with you so much he hurts
you in the flight between his body and yours.
He is something like lightning. Or Hermes
mid-run looking for invisible fairies just to
prove they are in the forest. Es mucho, we
say at family dinners, es mucho.

So maybe you see his flutterings, his deep
deep laugh, his body like electricity and you
think, maricón. You think the ugliness of
stale brown thoughts. Or maybe you are
in the middle of your own wilding and you
wish for love even when your body vibrates.
I do not know. No lo sé. But I know this:
my boy, this strange creature of teeth and heat,
he will outlive me. He will outlive you.
He will outlive even the sun in the sky. 


M. Soledad Caballero is Professor of English at Allegheny College Her scholarly work focuses on British Romanticism, travel writing, post-colonial literatures, WGSS, and interdisciplinarity. She is a 2017 CantoMundo fellow, has been nominated for a Pushcart Prize, a New Poet's Prize, and has been a finalist for the Missouri Review's Jeffry E. Smith poetry prize, Mississippi Review's annual editor's prize, and the Lucille Medwick Memorial Award sponsored by the Poetry Society of America. In 2019, her manuscript was a finalist for the Crab Orchard Review first book prize, the Saturnalia Press first book prize, and a runner-up for the Autumn House Press first book prize. Her poems have appeared in the Missouri Review, Mississippi Review, Iron Horse Literary Review, Memorius, Crab Orchard Review, Anomaly, and other venues.

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