SWWIM sustains and celebrates women poets by connecting creatives across generations and by curating a living archive of contemporary poetry, while solidifying Miami as a nexus for the literary arts.

The Wake

He’s in active dying, his family texted.
They held the phone under his comatose ear,
I said my good-bye, I wished him release.
I watched the rest of the day, then all night.
Still nothing, so finally I slept. Wakened
out of my second sleep by the call
carrying the hospital’s stinging perfume,
the sign everyone knows.

They’d asked me what music he’d loved.
I’d told them: The Great Fugue,
the Solemn Little Mass,
the Eroïca. They’d found them all
and played him out sweetly. It could do no harm.
His breath slowed, wafted out.
Was it a ritard or finally a fermata,
timed for the turn of the Funeral March.

To help out, I’d called the Institute where he’d trained,
I gave them the news.
How odd, the director told me,
I was just looking over the analysts.
His face is on my screen right now.

As offering, I made bagels the way he’d liked,
with double salt, double honey,
extra gluten for extra chew.
I’d proofed the yeast,
I’d checked the temperature,
I’d done everything I could,
but they just weren’t going to rise.


Karen Greenbaum-Maya is a retired clinical psychologist, German major, two-time Pushcart and Best of the Net nominee, and photographer. Her work has appeared in journals, including  B O D Y, Sow’s Ear Poetry Review, Comstock Poetry Review, Off the Coast, Otoliths, Naugatuck Poetry Review, and Measure. Kattywompus Press publishes Burrowing Song, Eggs Satori, and Kafka’s Cat. Kelsay Books publishes The Book of Knots and their Untying. She co-curates Fourth Sundays, a poetry series in Claremont, California. 


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