SWWIM sustains and celebrates women poets by connecting creatives across generations and by curating a living archive of contemporary poetry, while solidifying Miami as a nexus for the literary arts.

Are You Latinx

 

Did you know your grandparents?

No? 

Then you have no history.

Your mother from Argentina?

Tu padre de Peru?

He doesn’t look like your father.

Is he your real father?

You look white.

Why don’t you just say you’re from here?

Can’t cook,
slightly anorexic.

Middle-class.

Catholic school—yes, okay—we’ll accept that.

Pero Buddhist—spiritual—Unitarian Universalist? ¿Qué es eso?

You only read books in English.

Never read Don Quixote/
tried to read Don Quixote.

Didn’t you leave behind the entire Spanish language?

(but sometimes it’s home)

Didn’t you leave home?

More than once?

The daughter
should stay home.

No husband, no hijos?

Too queer.

(not queer enough,
but that’s another poem)

Middle-aged,
sola sola sola.

Familia es todo.

What is home?

What is home?

you listen to Kingdom of the Sun: The Inca Heritage

(is this your culture
or the need to prove your culture)

you read Nelly’s story in the liner notes—

the nuns at school
teach her

singing
is a sin

a musicologist
records Nelly’s father, Don Luis Camasco, with his band of musicians/guitar makers—
Conjunto Mensajeros Dos de Mayo

they lift their songs
late into the night

Nelly listens

finally, one night, her father says—you’re my daughter

finally, the musicologist says—the nuns didn’t know
all there is

so she sings

the musicologist takes notes—

“a voice harsh from disuse but full of spirit”

you listen

you are not her
she is not you

every voice
is a story

her voice
is a story

hers
alone.

 

Andrea Dulanto is a Latina queer writer. Degrees include an M.F.A. in Creative Writing from Florida International University, and a B.A. in Literature and Women’s Studies from Antioch College in Ohio. She has worked as a writing instructor, a freelance writer, and editor. In 2016, she was awarded an Individual Artist Award from the Maryland State Arts Council. Publications include Gertrude Journal, The Kenyon Review, BlazeVOX, Court Green, and Sinister Wisdom.

I was visible

I was visible

Why Walk When We Can Fly