SWWIM sustains and celebrates women poets by connecting creatives across generations and by curating a living archive of contemporary poetry, while solidifying Miami as a nexus for the literary arts.

Before Landfall

for my father



In the latest projection, Irma creeps
up the spine of the supine peninsula.

We lie sober in our safe room,
foundation beneath us, rooted to the soil

doors and windows shut tight, radio, flashlight,
extra batteries and covered shoes at hand

so we can run from room to room
between gusts, snaps and thuds

as if we might save what we’ve built
from intrusion, elements we’ll never escape.

As the fluids left my father’s body,
he tracked my moving mouth, a salt river

smelling of seaweed and grief.
His good eye would see me through

my slips, the mopping up
I’d always do when storms swept in

then out with who we were,
so sure we’d not be hit again.

When I was as tiny as a country
seen from light years away,

he held me high above the swirling sea
that was the beginning and the end of everything.

 


Sarah Carey's work has appeared recently or is forthcoming in Grist, Yemassee, Valparaiso Review, Barrow Street, Potomac Review, Glass Poetry Journal, Frontier Poetry and elsewhere. A Pushcart and Orison Anthology nominee, her new poetry chapbook, Accommodations, received the Concrete Wolf Chapbook Award and was published in June 2019. Sarah's first chapbook, The Heart Contracts, was published by Finishing Line Press in 2016. She works in communications at the University of Florida in Gainesville. Visit her at SarahKCarey.com or on Twitter @SayCarey1. 

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